Imitation(s) of Life: 1934 & 1959

A few months ago I watched both versions of Imitation of Life. At the time they were both available on Netflix Instant (now only the 1959 version is). Since this story/both movies are very famous, I won't tell you too much about it plot-wise, but here's my little review: I do highly recommend both films. Neither are very politically correct, which isn't surprising considering the subject matter and the eras in which they were dealing with it, but they are both entertaining and tell an interesting story if you keep in mind the times and are able to separate the medium from the message (as Lauren so perfectly put it when describing watching The Sheik). I watched the 1934 version first, and the next day, I was still thinking about the story, so I sat down and watched the 1959 version. What I noticed in terms of distribution of offensiveness, was that the 1934 version was more racist, and the 1959 version was more sexist (though both films have plenty of both).
Now to talk about some of the good points of the films:

Imitation of Life (1934), starring Claudette Colbert.
I've got a major girl-crush on Claudette Colbert, so in my opinion her presence alone gives this version major points. And of course she was great as usual. In general this film was engaging, and the characters pull you in enough to snag tears and laughs from you more than a few times.
Louise Beavers, playing the black maid Delilah Johnson opposite Colbert's Beatrice Pullman, was widely praised at the time of the film's release for a fine performance, but I can't say I loved it - not because she was necessarily a bad actress, but because despite the fact that her character was relatively developed compared to other roles for black actors at the time, the character is still a racist caricature (this wasn't her fault - of course she would've been directed to act this way).
Fredi Washington, who plays Delilah's daughter Peola, was absolutely gorgeous and portrayed the terrible anxiety and anger of her character very affectingly. Washington actually has a very interesting life story: She had a very rocky relationship with Hollywood, since she proudly defined herself as a black woman despite the fact that most people thought she looked white. She arguably lost chances at stardom due to racism and her refusal to pretend to be white, saying that success and fame wasn't worth the insult of having to deny one's identity/heritage. Her bravery in the face of racism and strong sense of self in general is admirable, but it's a shame she didn't get to do more pictures.
The last of the four main women, Rochelle Hudson as Jessie Pullman, was probably the least affecting, but mainly because her character is so unsympathetic. But Hudson plays it off well enough that you don't hate her, you just find her kind of annoying and naive (for falling in love with her mother's boyfriend). Also, she is delightfully adorable and wears a few cute outfits, which always helps!

Now for a few pictures from this film, mainly of pretty close-ups and cute outfits (though the clothing was not really a main feature, as you can see by the lack of full-length "look at the the pretty clothing" shots):

Lovely Claudette.